Florence Pierce (American, 1918-2007) Untitled #645






| Lot #: 45 Florence Pierce (American, 1918-2007) Untitled #645 |
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3.10.04. Resin relief. |
| 24 x 24 in. |
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Provenance Charlotte Jackson Fine Art, Santa Fe, New Mexico. The Charles E. Balbach (1934-2024) collection, Buffalo, New York. |
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Auction Date Mar 19, 2026 |
| Estimate: $3,000-$5,000 |
Details:
Provenance Note: Charles E. Balbach (1934-2024) was a respected Western New York civic leader, arts patron, and dedicated collector whose leadership left a lasting mark on the region’s cultural institutions. A graduate of Harvard University, Balbach combined intellectual rigor with a deep commitment to public service and philanthropy. He served for more than two decades on the board of the Buffalo AKG Art Museum (formerly the Albright-Knox Art Gallery), including a term as President of the Board. During his tenure, he helped guide long-range planning initiatives and strengthen institutional stewardship at a pivotal moment in the museum’s evolution. A thoughtful and disciplined collector, Balbach believed strongly in public access to art and in the responsibility of collectors to support the institutions that sustain cultural life. His legacy reflects a lifetime of civic engagement, connoisseurship, and enduring dedication to the arts.
Florence Pierce (American, 1918-2007)
Florence Miller Pierce was an abstract artist known for her non-objective, monochromatic paintings and resin relief sculptures. Rooted in Zen Buddhism and meditation, her work often appears to float off the wall, achieved through richly colored geometric shapes – polygons, triangles, and rectangles – encased in layers of transparent resin. She began experimenting with resin in 1969 in her New Mexico studio, discovering its ability to create shimmering textures when layered over colors softened with milled fiberglass. Pierce’s work reflects a meticulous balance of color, form, and light, creating meditative, contemplative compositions. Her practice remained centered on the transformative potential of material and perception throughout her career.
Florence Pierce (American, 1918-2007)
Florence Miller Pierce was an abstract artist known for her non-objective, monochromatic paintings and resin relief sculptures. Rooted in Zen Buddhism and meditation, her work often appears to float off the wall, achieved through richly colored geometric shapes – polygons, triangles, and rectangles – encased in layers of transparent resin. She began experimenting with resin in 1969 in her New Mexico studio, discovering its ability to create shimmering textures when layered over colors softened with milled fiberglass. Pierce’s work reflects a meticulous balance of color, form, and light, creating meditative, contemplative compositions. Her practice remained centered on the transformative potential of material and perception throughout her career.
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