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Garry Fabian Miller (British, b. 1957) "Year Two, Silicate 1-2"

Garry Fabian Miller (British, b. 1957) "Year Two, Silicate 1-2"Garry Fabian Miller (British, b. 1957) "Year Two, Silicate 1-2"Garry Fabian Miller (British, b. 1957) "Year Two, Silicate 1-2"Garry Fabian Miller (British, b. 1957) "Year Two, Silicate 1-2"
Lot #: 60
Garry Fabian Miller (British, b. 1957) "Year Two, Silicate 1-2"

April 2007. Edition 1/1. Oil, water, dye destruction print.

20 x 32 1/2 in.
Provenance
Acquired from Dazinger Gallery (New York, NY) in November 2010.
The Charles E. Balbach (1934-2024) collection, Buffalo, New York.
Auction Date
Mar 19, 2026
Estimate: $2,000-$4,000

Details:

Provenance Note: Charles E. Balbach (1934-2024) was a respected Western New York civic leader, arts patron, and dedicated collector whose leadership left a lasting mark on the region’s cultural institutions. A graduate of Harvard University, Balbach combined intellectual rigor with a deep commitment to public service and philanthropy. He served for more than two decades on the board of the Buffalo AKG Art Museum (formerly the Albright-Knox Art Gallery), including a term as President of the Board. During his tenure, he helped guide long-range planning initiatives and strengthen institutional stewardship at a pivotal moment in the museum’s evolution. A thoughtful and disciplined collector, Balbach believed strongly in public access to art and in the responsibility of collectors to support the institutions that sustain cultural life. His legacy reflects a lifetime of civic engagement, connoisseurship, and enduring dedication to the arts.

Garry Fabian Miller (British, b. 1957)
Garry Fabian Miller is a pioneering photographer known for his camera-less, darkroom-based works that explore light, color, and time. Born in Bristol, England, he began his career in his family’s portrait studio before shifting from social documentary to abstract, meditative image-making in the mid-1980s. Using slow exposures and carefully controlled light, Fabian Miller creates luminous compositions that blur the line between photography and painting, often inspired by Dartmoor’s landscapes and celestial motifs. His work is held in major collections including the Victoria and Albert Museum, the Metropolitan Museum of Art, and the Yokohama Museum of Art. Over decades of practice, he has published several monographs and received honorary fellowships from the Royal Photographic Society and the Bodleian Library.

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