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Bryan Hunt (American, b. 1947) "Inline" (Airship)

Bryan Hunt (American, b. 1947) "Inline" (Airship)Bryan Hunt (American, b. 1947) "Inline" (Airship)Bryan Hunt (American, b. 1947) "Inline" (Airship)Bryan Hunt (American, b. 1947) "Inline" (Airship)Bryan Hunt (American, b. 1947) "Inline" (Airship)Bryan Hunt (American, b. 1947) "Inline" (Airship)Bryan Hunt (American, b. 1947) "Inline" (Airship)Bryan Hunt (American, b. 1947) "Inline" (Airship)Bryan Hunt (American, b. 1947) "Inline" (Airship)Bryan Hunt (American, b. 1947) "Inline" (Airship)
Lot #: 72
Bryan Hunt (American, b. 1947) "Inline" (Airship)

2001. Spruce, balsa, and synthetic fiber, with gold and silver leaf.

47 1/2 x 4 1/4 x 5 in.
Provenance
Baldwin Gallery, Aspen, Colorado.
The Charles E. Balbach (1934-2024) collection, Buffalo, New York.
Condition
Excellent.
Auction Date
Mar 19, 2026
Estimate: $7,000-$10,000

Details:

Provenance Note: Charles E. Balbach (1934-2024) was a respected Western New York civic leader, arts patron, and dedicated collector whose leadership left a lasting mark on the region’s cultural institutions. A graduate of Harvard University, Balbach combined intellectual rigor with a deep commitment to public service and philanthropy. He served for more than two decades on the board of the Buffalo AKG Art Museum (formerly the Albright-Knox Art Gallery), including a term as President of the Board. During his tenure, he helped guide long-range planning initiatives and strengthen institutional stewardship at a pivotal moment in the museum’s evolution. A thoughtful and disciplined collector, Balbach believed strongly in public access to art and in the responsibility of collectors to support the institutions that sustain cultural life. His legacy reflects a lifetime of civic engagement, connoisseurship, and enduring dedication to the arts.

Bryan Hunt (American, b. 1947)
Bryan Hunt is an American sculptor and painter known for his abstract works inspired by natural forms. Raised in Indiana and Florida, he initially studied architecture at the University of South Florida before pursuing fine arts at the Otis Art Institute in California. In the early 1970s, Hunt created models of architectural landmarks, including the Empire State Building and the Great Wall of China, but by 1976 his focus shifted toward abstraction, influenced by Willem de Kooning’s expressive sculptures. He began translating elements of the landscape – lakes, quarries, waterfalls – into richly carved, standalone forms, merging the natural world with a refined sculptural vocabulary.

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